[maya绑定教程] Maya角色面部绑定高级教程

落小夕 · 发表于 2013-10-25 17:12:12

动画测试效果：

七年来，贾德西曼托夫是主角顽皮狗的技术总监，秘境系列经典游戏，如工作。现在他在这里成功地操纵程式化的面孔和漫画与您分享的秘密。
For seven years, Judd Simantov was the Lead Character Technical Director at Naughty Dog, working on gaming classics like the Uncharted series. Now he's here to share the secrets of succesfully rigging stylized faces and caricatures with you.

在这8周的在线研讨会，贾德的工作与学习索具现实和程式化的面孔之间的差异，发现最好的地区，所以你把关节肌肉控制能力和良好的动画控制，看看在不同的皮肤结合，并讨论绘画的工作流程的方法的权重。
In this 8 week online workshop, work with Judd as you learn the differences between rigging realistic and stylized faces, discover the best areas to place joints so you get muscle control and good animation control, look at different skin binds and discuss workflow methodologies for painting weights.

贾德会告诉你不同的形状和不同的脸部部位，如眼睛，耳朵，嘴巴和眉毛（仅举几例）控制方式，增加头部和颈部控制和谈论动画师可以如何使用的元素创造一种钻机内的面部表情挤压和拉伸。
Judd will show you different shapes and ways of controlling different parts of the face like eyes, ears, mouth and eyebrows (to name a few), adding head and neck controls and talk about how animators can use the elements you rig to create a sense of squash and stretch within the facial expressions.

最后，您将学习如何使用混合形状纠正处理领域是很难得到正确的关节，并发现如何测试你的装备，然后才开始动画过程。
Finally, you'll learn to use corrective blend-shapes to handle areas that are harder to get right with joints, and discover how to test your rig before it begins the animation process.

你可以把你自己的人脸模型（贾德的评估是否适合），或使用一个提供课程。
You can bring your own face model (subject to Judd's assessment for suitability) or use one that is supplied with the course.

“到目前为止，最好的索具类，我曾经拍摄。贾德知道他的东西，无论在技术上和艺术”
- 布赖恩·罗杰斯，学生，2012年2月
"By far the best rigging class I have ever taken. Judd knows his stuff, both technically and artistically"
- Brian Rogers, student, February 2012

“小的工作流程的提示是自己的小金矿”
- 亚历山大Samouridis，学生，2012年2月
"The small workflow tips are little gold mines by themselves"
- Alexander Samouridis, student, February 2012

“一个完全不同的角度面部索具。贾德提醒我们，这毕竟是一种艺术形式。”
- 马蒂议员，学生，2012年2月
"A totally different perspective to facial rigging. Judd reminded us that this is an art form after all."
- Marty Hon, student, February 2012

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